"The frame can make the painting."
I feel the frame is part of the creative process and that the best frame becomes part of the art. This is especially important with my 3-dimensional paintings, which require engineering that is often supported by the frame.
Lucky for me, my framing partner is Rob Griffin, a Williamsburg-based wood craftsman who meticulously creates my frame designs in solid wood. Rob's wood collection includes walnut from a tree he cut down when he was 14 years old, cherry, pecan, ash, real worm-wood that aged in his mother's garage for 50 years, and just about any fine wood he can get his hands on. Once the frame is completed, Rob hand-rubs the surface with oil until it has a rich but clean finish. Or if the frame is to be painted, he gives it back to me for final adornments.